|#||Release title||Total tracks||Type of release is||Imprint date||Label|
|1||Concerti, Op. 10||28||Audio||Philips Classics|
|2||Concertos For Guitar And Strings||27||Audio||1992||Philips Classics|
|3||A Négy Évszak / The Four Seasons||16||Audio||Qualiton|
|4||Basic Vivaldi||61||Audio||Deutsche Grammophon|
|5||Le Quattro Stagioni||4||Audio||1993||T.D.M.|
|6||Concertos For Cello, Strings And Continuo||16||Audio||1977||Philips|
|7||Concerti E Cantate Da Camera III||26||Audio||2005-07-01||Naïve|
|8||Les Quatre Saisons||4||Audio||1980||Philips|
|9||Adagio / The Four Seasons / Canon And Gigue||20||Audio|
|10||Masters Of Classical Music, Vol.7: Vivaldi||16||Audio||1988||LaserLight Digital|
|12||Meet The Classics: Vivaldi||21||Audio||1999||Direct Source Special Products Inc.|
|13||Le Quattro Stagioni||16||Audio||Deutsche Grammophon|
|14||Flötenkonzerte Op. 10||32||Audio||1978||ETERNA|
|15||Le Quattro Stagioni||20||Audio||Deutsche Grammophon|
|16||The Four Seasons - Le Quattro Stagioni - Die Vier Jahreszeiten - Les Quatre Saisons||16||Audio||1997|
|17||Vivaldi: The Four Seasons / Pachelbel: Canon / Bach: Brandenburg Concerto No. 3 In G, BWV1048||22||Audio||1993||RPO Records (2)|
|18||Великие Композиторы. Том 1||17||Audio||2007-11-14||Mediasat Poland|
|19||Opera II - Sonate 1/6 Per Violino E Basso Continuo||28||Audio||1998||Tactus|
|20||Opera II - Sonate 7/12 Per Violino E Basso Continuo||26||Audio||1998||Tactus|
|21||The Four Seasons||18||Audio||1970|
|22||Le Quattro Stagioni||31||Audio||1990||Erato|
|23||Stabat Mater||30||Audio||2002||Opus 111|
|24||Les Quatre Saisons||16||Audio||Philips|
|25||Le Quattro Stagioni / The Four Seasons / Die Vier Jahreszeiten||16||Audio||1994||EMI Classics|
|26||Die Vier Jahreszeiten (The Four Seasons)||16||Audio||1991||Pilz|
|27||Les Concertos Pour Mandoline / Concerto Pour Violon Discordato||16||Audio|
|28||Les Quatre Saisons||4||Audio||La Voix De Son Maître|
|29||Adagio • Canon||18||Audio||1990||Deutsche Grammophon|
|30||Integrala Concertelor Pentru Flaut, Orchestră De Coarde Și Basso Continuo, Op. 10||6||Audio||Electrecord|
|32||Le Quattro Stagioni||16||Audio||Deutsche Grammophon|
|33||H-Moll Suite / Concerto Grosso A-moll / Orchester-Suite||17||Audio||Somerset|
|34||Las Cuatro Estaciones||16||Audio||1985||Archiv Produktion|
|36||The Vivaldi Album||13||Audio||1999||Decca|
|37||The Four Seasons||16||Audio||Telarc|
|38||Las Cuatro Estaciones Conciertos Nº 1, Nº 2, Nº 3, Nº 4||4||Audio||1980||Sarpe|
|39||The Four Seasons · Le Quattro Stagioni · Die Vier Jahreszeiten · Les Quatre Saisons||16||Audio||1989|
|40||Le Quattro Stagioni||24||Audio||2000||Opus 111|
|41||Antonio Vivaldi: The Seasons, Op. 8||12||Audio||Columbia Masterworks|
|42||Six Cello Concertos||24||Audio||1998||Decca|
|43||Adagio / Kanon & Gigue / Concerti Grossi / Concerti "Alla Rustica" & "L'Amoroso"||22||Audio||Deutsche Grammophon|
|44||The Four Seasons / Concerto 'L'Amoroso' / Symphony 'Al Santo Sepolcro' / Concerto 'Alla Rustica'||27||Audio||1997||Deutsche Grammophon|
|45||Concerti Per Flauto||7||Audio||2001||Marc Aurel Edition|
|46||Die Vier Jahreszeiten, Violinkonzerte Aus "L'estro Armonico"||30||Audio||Philips Classics|
|47||Handel: Dixit Dominus / Vivaldi: Gloria||23||Audio||1999||BBC Music Magazine|
|49||Festival De La Musique Baroque||14||Audio||1989||Novalis|
Born March 04 1678, Sestiere di San Marco, Repùblica Vèneta, Italy
Died July 28 1741, Kärntnertor, Vienna, Austria
[b]Vivaldi[/b]'s career as a violinist and composer was almost inevitable. His father was Giovanni Battista Vivaldi, a founder of the Sovvegno dei musicisti di Santa Cecilia, an early musician's collective, who's President was the Baroque operatic composer and tutor Giovanni Legrenzi. As a youth, touring and performing around Venice in accompaniment on the violin with his father, [b]Vivaldi[/b] is likely to have been influenced by Legrenzi, who had become maestro di cappella at St. Mark's Basilica in 1681.
A redhead, like his father, [b]Vivaldi[/b] took up the course of attaining a priesthood in 1693 and became ordained in 1703, referred to by those around him as "Il Pretto Rossi" because of his red hair. However, by late 1703 he was unable to maintain his practice in the priesthood due to ill health and sought employment as a tutor of music, retaining his reverential title.
By 1704 [b]Vivaldi[/b] was working as maestro of violin in Venice at the orphanage of the Devout Hospital of Mercy, an institution known as Conservatorio dell'Ospedale della Pietà, providing shelter to orphaned and abandoned children. Here the boys were taught a trade, whilst the girls were given a musical education. The talented were selected for the conservatory's orchestra & choir, which gained high regard both in Venice and abroad. [b]Vivaldi[/b] used this period to write the majority of his concertos, cantatas and arias.
The institute provided an ideal environment for [b]Vivaldi[/b] to explore the avenues of the ritornello form. The first of his works were published in 1705, a second Opus in 1709. His third Opus, published in Amsterdam in 1711, gained [b]Vivaldi[/b] enthusiastic attention throughout Europe- followed by a fourth Opus in 1714. He became Musical Director of the Pietà's institute in 1716 and was contracted to provide two concerti a month for the orchestra. Papers from the Pietà's history show that [b]Vivaldi[/b] produced 140 concerti between 1723 and 1733.
In 1714 [b]Vivaldi[/b] took on the role of impresario of the theater Sant'Angelo in Venice, presenting "Orlando Finto Pazzo", "Nerone Fatto Cesare" and, despite earlier censorship, "Arsilda Regina Di Ponto" in which the female lead (Arsilda) falls in love with another woman (Lisea), who is disguised as a man. [b]Vivaldi[/b]'s operatic style caused both outrage and acclaim. For three years he produced operatic work for the governor of Mantua, Prince Philip of Hesse-Darmstadt. He then moved to Milan and then Rome in 1722, performing for Pope Benedict XIII. It is in this period that [b]Vivaldi[/b] consolidated what was to become one of his most popular works "The Four Seasons", eventually published within a collection of twelve compositions "Il Cimento Dell'armonia e Dell'inventione" in 1725.
[b]Vivaldi[/b] had moved in high circles at this point, writing a wedding cantata for Louis XV and "La Ceta", a dedication to Viennese Emperor Charles VI who knighted the composer and invited him to Vienna. By 1730 [b]Vivaldi[/b]'s style and popularity had waned and he sold up much of the rights to his work and relocated to Vienna, accompanied by his father. He took residence in a four-story house known as "Satlerisch Haus" [Saddle-maker's House], run by Maria Agathe Wahler the widow of the saddlemaker. The property was situated above the Kärntnertor, one of eight fortification gates surrounding Vienna, close to the Kärntnertortheater where [b]Vivaldi[/b] began to stage operas such as "Farnace" in 1737.
It is likely that [b]Vivaldi[/b] was to take up a position in the court of Charles VI but, when the emperor suddenly died in 1740- reputedly of mushroom poisoning, [b]Vivaldi[/b] was left stranded without royal support or full remuneration. His health quickly declined and his asthmatic history took its toll some nine months later. [b]Vivaldi[/b] died of 'internal infection' at his home in Vienna. he was given a simple burial in the cemetery of Spitaller Gottesacker following a funeral at St Stephen's Cathedral, where Joseph Haydn was then a choirboy.