# | Release title | Total tracks | Type of release is | Imprint date | Label | |
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1 | Left Right Of Centre | 10 | Audio | 2008-06-09 | Airport Route Recordings | |
2 | On Fire | 4 | Audio | 2008-09-04 | Olaris Records | |
3 | Lead Me On | 3 | Audio | 2009-09-02 | Olaris Records | |
4 | What Do You See? | 3 | Audio | 2009-10-22 | S107 Recordings | |
5 | Watertight | 11 | Audio | 2009-11-26 | Airport Route Recordings | |
6 | Watertight Remix Competition | 5 | Audio | 2010-07-12 | Airport Route Recordings | |
7 | Heart | 6 | Audio | 2010-11-22 | Alter Ego Records | |
8 | Point Of Impact | 4 | Audio | 2011-08-01 | Silent Shore Records | |
9 | Impartial Thought | 4 | Audio | 2009-09-21 | Airport Route Recordings | |
10 | The Story Goes | 2 | Audio | 2012-04-02 | Morphosis Limited | |
11 | Trains | 4 | Audio | 2012-04-02 | XPM Recordings | |
12 | No Way Back | 3 | Audio | 2012-05-21 | Amsterdam Trance Records | |
13 | Falling | 5 | Audio | 2012-02-02 | Cloudland Music | |
14 | Invisible | 4 | Audio | 2012-09-10 | Cloudland Music | |
15 | Ibreathe | 10 | Audio | 2012-07-02 | Airport Route Recordings | |
16 | Courage | 2 | Audio | 2013-04-26 | Möller Records | |
17 | The Day Our Lives Turned | 3 | Audio | 2013-09-30 | Neuroscience Recordings | |
18 | Human EP | 6 | Audio | 2014-06-06 | Electronical Reeds | |
19 | Freedom | 2 | Audio | 2014-04-28 | Infrasonic Recordings | |
20 | Freedom | 2 | Audio | 2014-08-11 | Infrasonic Pure | |
21 | Freedom | 2 | Audio | 2014 | Infrasonic Pure |
Simon Latham has been involved in EDM music for over twenty years and can boast play from DJ names such as Pete Tong, Sasha and Dave Seaman, back in the early nineties (as Soundsation), and more recently from Paul Oakenfold, Sean Tyas, Andy Moor and many others guesting under his own name with respected dance musicians. "iBreathe" is his new solo album written and performed in his Icelandic studio where he, an Englishman now lives. The album itself is rooted in dark rich piano chords, although skimming the progressive house sound Simon is known for, this drifts over to a more classical conclusion. Like stripping the emotional aspect out of a progressive composition to make it play a more defining role in the overall sound.