|#||Release title||Total tracks||Type of release is||Imprint date||Label|
|1||Cycle De L’Errance||13||Audio||1996||Empreintes DIGITALes|
|2||Sous Le Regard D'Un Soleil Noir||8||Audio||1996||Empreintes DIGITALes|
|3||Cycle Du Son||4||Audio||2001||Empreintes DIGITALes|
|4||Forêt Profonde||13||Audio||1996||Empreintes DIGITALes|
|6||Les Dérives Du Signe||4||Audio||1996||Empreintes DIGITALes|
|7||Sous Le Regard D'un Soleil Noir||8||Audio||1982||INA-GRM|
|9||Sonopsys N° 1||13||Audio||2002||Sonopsys|
|10||...Et Autres Utopies||9||Audio||2006-11-02||Empreintes DIGITALes|
|11||Mouvances - Métaphores||9||Audio||2005||BV Haast Records|
|12||Études Pour Kafka||3||Audio||2009||Empreintes DIGITALes|
|13||Sonopsys N° 1||6||Audio||2002||Sonopsys|
Francis Dhomont (Paris, France, 1926) studied under Ginette Waldmeier, Charles Koechlin and Nadia Boulanger. In the late 40’s, in Paris (France), he intuitively discovered with magnetic wire what Schaeffer would later call “musique concrète” and consequently conducted solitary experiments with the musical possibilities of sound recording. Later, leaving behind instrumental writing, he dedicated himself exclusively to electroacoustic composition.
An ardent proponent of acousmatics, his work (since 1963) is comprised exclusively of works for tape bearing witness to his continued interest in morphological interplay and ambiguities between sound and the images it may create.
Since 1978, he has divided his time between France and Québec, where he has taught at the Université de Montréal from 1980 to 1996. He is an Associate Composer of the Canadian Music Centre (CMC, 1989) and a Founding Member (1986) and Honorary Member (1989) of the Canadian Electroacoustic Community (CEC).