|#||Release title||Total tracks||Type of release is||Imprint date||Label|
|2||Tom Drunk / Angie La La||2||Audio||Treasure Isle|
|3||Butterfly / Fly Version||2||Audio||1972||Tropical Records (3)|
|4||Barbwire / Calypso Mama||2||Audio||1970||Trojan Records|
|5||Play Me A Love Song||10||Audio||1981||Nationwide|
|6||Let Me Tell You Something||2||Audio||1978||Nationwide|
|7||Rule The Nation / Ay Ay Ay Ay||2||Audio||1970||Duke Reid|
|8||This Station Rule The Nation / Angle- Lala||2||Audio||1969||Treasure Isle|
|9||Look Over Your Shoulder / The Kiss||2||Audio||1970||Jackpot (2)|
|10||Album Of My Life||2||Audio||1978||Sunpower Records|
|11||Mama / Natty In Hong Kong||2||Audio||2011||Trojan Records|
|12||The Same Woman||2||Audio||Question (2)|
|13||I Shall Be Free / Love And Power To The People||2||Audio||Sir Derricks|
|14||Barb Wire / Electric Wire||2||Audio||High Note|
|15||Mama / Man A Walk And Talk||2||Audio||1973||Bread|
|16||Barbwire / Calypso Mama||2||Audio||1970||Barons Label|
|17||Barbwire / Calypso Mama||2||Audio||1970||Barons Label|
|18||Never Trust Guardie Again / Dub The Guardie||2||Audio||1975||Total Sounds|
|19||Want Man / Man||4||Audio||1970||Randy's|
|20||The Same Thing You Gave To Daddy / A Testimony||4||Audio||1969||Upsetter (2)|
|21||Let Me Tell You Boy||2||Audio||Moodisc Records|
|22||Must Get A Man||4||Audio||Gay Feet|
|23||Man Walk & Talk||2||Audio||1973||Black Beard|
|24||Love Of A Boy / Ahmad-Jamal||4||Audio||Chappy|
|25||This Station Rule The Nation / Angle-Lala||2||Audio||Duke Reid Greatest Hits|
Nora Dean was born in 1952. She grew up in the Parish of St. Catherine, Spanishtown.
Singer Nora Dean is one of reggae’s greatest mysteries. She recorded solo, as well as a member of The Ebony Sisters, The Soul Sisters and The Soulettes. She did backing vocals on recordings by [a=Jimmy Cliff]. Although she was not a prolific artist (especially by reggae standards), a number of her songs are very fondly remembered by fans of Jamaican music as true reggae classics. No interviews with her have ever been published. Photos seemed to be non-existent.
In “Barbwire”, her most famous song she plays babyishly naïve about a man’s advances. It is set to the classic [a=Techniques, The] "You Don't Care" riddim. She once remembered that she worked four hours voicing the track, though in the end, they went back to the first take. She was paid 30 pounds over 9 months for this song, that has sold at least 13 million copies worldwide. This is a situation that is known all too well by Jamaican recording artists.
In “Mojo Girl”, she is serenely in full control. She lays down the law to her man, threatening him with black magic reprisals. In “Wreck A Buddy”, she is in desperate carnal need, with explicit lyrics to the melody of “Little Drummer Boy”. In “The Same Thing You Gave To Daddy”, she is in a battle of wills with her little boy, who won't go to sleep until he gets what Nora gave his daddy the night before. “Oh, no, no, no”, indeed! And in “Ay Ay Ay”, the music is deconstructed from reggae to a drone. Narrative is abandoned in favor of free association, and words become invocations that are supplemented with kisses, bird cries and groans of pure ecstasy. In some cases, as a young girl she was pressured by producers to act outside of her character. (She was only about 15 when she started recording.) And at least one scandalous song, a cover of the mento song Night Food, Nora insists she did not record. She is upset that her name was affixed to a song she finds so repugnant.
Nora Dean moved to New York city in 1976 and married to man also of Jamaican origin. She joined the Times Square Church, where she sang in the choir. A serious and protracted illness lead her to realize the power of prayer, and she was born again in 1981. She released a few gospel cd's, some solo, some with choir. Nora currently lives in NYC with her family. She performs live at a gospel show with other former secular reggae stars, such as [a=Hopeton Lewis] and [a=Owen Gray].