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Ron Albert, along with his older brother [a177333], make up Fat Albert Productions, a Miami based production and engineering team.
In 1965, 16 year old Howie Albert was in a Miami Rock band named The Nightcrawlers and Ron was their 12 year old “band aid” (roadie). They recorded the song “Little Black Egg” at Lee Hazen’s studio, which was released on Henry Stone’s assorted labels that year. By 1967, Lee received an engineering job offer in Nashville and Howie was drafted into Vietnam. Having been a small part of the music industry, the 14 year old Ronnie naively went for a job to Criteria Studios (Miami’s only major studio at the time) where he became a typist for their tape library. The following year he filled in as engineer when owner/engineer Mack Emerman fell ill during a major job.
Eventually, he became a staff engineer, earning his first gold record for Brook Benton’s “A Rainy Night in Georgia” in 1969. At the same time, Atlantic Records was sold and it's co-owner, Jerry Wexler, bought a weekend home in Miami with the money while remaining on staff. Atlantic’s staff producers Tom Dowd and Arif Mardin followed Wexler’s lead. As a result, they began using Criteria studios to record for Atlantic, eventually moving there permanently. As Mack Emerman retired from engineering, Ron became the primary engineer for the studios and hired his brother Howard after his return from Vietnam.
The Fat Albert/Atlantic combination, along with equipment-designer Jeep Harned, turned Criteria studios into the world's most renowned studio. By the mid-to-late 70s they had numerous Top 10 charting releases, recording for artists such as Eric Clapton, Stephen Stills, The Bee Gees, The Eagles & Jimmy Buffet. Ron and Howard negotiated to become partners in the company.
In 1979, the Wall Street Journal reported the music industry was going into a recession. Labels decided to quit sending acts to Miami as a way to save money. By 1983 Criteria was in debt and the Alberts sold their Company share with the intent to retire. But, by 1987, circumstance forced them from retirement and they teamed with Steve Alaimo, former co-owner of Henry Stone’s T.K. Records, to form Vision Records. Vision initially focused on the alumni of Criteria and TK, such as Betty Wright and Stephen Stills, but eventually gave in to youth culture - releasing Freestyle & Miami Bass records such as Shana and Beatmaster Clay D.