|#||Release title||Total tracks||Type of release is||Imprint date||Label|
|2||Chrome Set [a]||3||Audio||2004-09-25||Sine3pm|
|3||Snow Palace Hotel||5||Audio||2004-12-30||Sine3pm|
|4||Stella Maris Hotel||5||Audio||2005-03-01||Sine3pm|
|7||Possible Forms||16||Audio||2002||Nova Ars Digitandi|
|8||Rand System||81||Audio||2003||Nova Ars Digitandi|
|9||First Emission||10||Audio||2001-12-00||Nova Ars Digitandi|
|10||K||5||Audio||2002-01-00||Nova Ars Digitandi|
|11||X||5||Audio||2002||Nova Ars Digitandi|
|13||Sonology||6||Audio||2010||Sound On Probation|
|14||Final Archives||9||Audio||2010-10-10||Silentes Minimal Editions|
Gianluca Becuzzi released many albums and performed live around Europe during the last two decades under various names.
The artistic production of KINETIX is characterised by a strong experimental imprint, by the interest into the expressive possibilities offered by the digital technologies and by a clear aesthetic inclination towards minimalist forms and micro noises/sounds.
KINETIX deals with computer music, audio art, sound installations, ambient post-scorings, laptop sets and sound design.
The relationships between art and science, between audio and visual-spatial forms, as well as between composition and self-generative processes represent the main themes in the sonological research of KINETIX.