|#||Release title||Total tracks||Type of release is||Imprint date||Label|
|1||I Can Do It||2||Audio||1975||State Records (3)|
|2||Baby I Know||2||Audio||1977-01-00|
|3||Sugar Baby Love||2||Audio||1974||Polydor|
|4||Juke Box Jive||2||Audio||1974||Polydor|
|5||Juke Box Jive||2||Audio||1974||Polydor|
|6||We Can Do It||12||Audio||1975||State Records (3)|
|7||Julia / Dancing In The Rain||2||Audio||1976||Polydor|
|9||Sugar Baby Love||2||Audio||1974||Polydor|
|10||Tonight / Silent Movie Queen||2||Audio||1974||Polydor|
|11||Sugar Baby Love||12||Audio||1976||AMIGA|
|13||Sugar Baby Love||2||Audio||1987||Polydor|
|14||Sugar Baby Love||12||Audio||1974||Polydor|
|15||I Can Do It / If You've Got The Time||2||Audio||1975||State Records (3)|
|16||We Can Do It||12||Audio||1975||State Records (3)|
|17||You're The Reason Why||2||Audio||1976||State Records (3)|
|18||Wear It's 'At||12||Audio||1974||Polydor|
|19||Baby I Know||2||Audio||1977||State Records (3)|
|20||Sugar Baby Love||2||Audio||1974||Polydor|
|22||Rubettes||12||Audio||1975||State Records (3)|
|23||Wear It's 'At||12||Audio||1974||Polydor|
|24||Foe-Dee-O-Dee||2||Audio||1975-06-00||State Records (3)|
|27||Wear It's 'At||12||Audio||1974||Polydor|
|28||We Can Do It||12||Audio||1975|
|29||Under One Roof / Sign Of The Times||2||Audio||1976||State Records (3)|
|30||Foe Dee Oh Dee||2||Audio||1975||State Records (3)|
|31||Foe-Dee-O-Dee||2||Audio||1975||State Records (3)|
|32||Sign Of The Times||10||Audio||1976||State Records (3)|
|35||Sometime In Oldchurch||9||Audio||1977||Polydor|
|36||I Can Do It||2||Audio||1975||State Records (3)|
|37||You're The Reason Why||2||Audio||1976||State Records (3)|
|38||Rubettes||12||Audio||1975||State Records (3)|
|40||Sometime In Oldchurch||9||Audio||Polydor|
|42||Sugar Baby Love / You Could Have Told Me||2||Audio||1974||Polydor|
|43||Sugar Baby Love / Juke Box Jive||2||Audio||Polydor|
|44||Come On Over||2||Audio||1977||Polydor|
|45||Wear It's 'At||12||Audio||1974||Polydor|
|46||Ooh La La / I Really Got To Know||2||Audio||1977||State Records (3)|
|48||Sugar Baby Love||2||Audio||1974||Polydor|
|49||I Can Do It||2||Audio||1975||State Records (3)|
In 1973, Wayne Bickerton, then head of A&R at Polydor Records, wrote four songs in an "American 50's type" sound with co-writer Tony Waddington. A group of session musicians and singers were gathered in a London studio and recorded a demo of these tracks. Three of the session musicians were then asked to form the beginnings of a band, and with that John Richardson, Alan Williams and Pete Arnesen were the start of The Rubettes. John got some musician friends to round out the group, with Mick Clarke, Bill Hurd and Tony Thorpe making the original group of six.
Pete Arnesen, the only American of the group, was the first to part ways. Later, Bill Hurd chose to pursue a solo career, cutting the band to four. Tony Thorp left the band in 1979, and the final three continued to make music together.
In 1982, the band re-formed to tour on the wave of nostalgia. This time, Alan Williams and Mick Clarke were joined by Bill Hurd and Alex Bines, once Hurd's Milkman, completed the revised line up on drums. Mick Clarke was replaced by Steve Kinch 1987-1991 and Trevor Holliday 1991-1993. c.1992: the line up was Alex Bines, Alan Williams, Trevor Holliday and Bill Hurd.
In 1999, the re-formed line up split again, forming two "competing" Rubettes groups, one lead by Bill Hurd and the other by Alan Williams. This resulted in two separate entities, who took distinct names following a court order, making The Rubettes featuring Bill Hurd and The Rubettes feat. Alan Williams. William's group consists of Alan Williams, John Richardson, Mick Clarke, and Mark Haley.
Of the Original Rubettes line-up only John Richardson, Alan Williams and Pete Arnesen participated in the recording of "Sugar Baby Love" with the falsetto lead vocal performed by [a=Paul Da Vinci] (legal name: Paul Prewer). With contractual obligations preventing Prewer from joining the band when it was formed, he never toured with the original band. He later featured with Hurd, Bines and the rest in this Rubettes formation from 2000 until 2006, when he left for personal reasons and is replaced by George Bird.
The band name was born from the interest in jewel-based names like "Diamonds," and one of Thorpe's girlfriends owned a purplish-red colored Mini which she affectionately called "Ruby."