|#||Release title||Total tracks||Type of release is||Imprint date||Label|
|1||At The Opera House||5||Audio||1966||Verve Records|
|2||At The Opera House||6||Audio||1957||Verve Records|
|3||The Great Kai & J. J.||11||Audio||1997||Impulse!|
|4||"Mack The Knife", "Bilbao Song" etc.||8||Audio||1962||CBS|
|5||At The Opera House||10||Audio||1986||Verve Records|
|6||At The Opera House||6||Audio||1957||Verve Records|
|7||Across 110th Street||11||Audio||1972|
|8||The Cape Verdean Blues||6||Audio||2004||Blue Note|
|9||Willie Dynamite (Music From The Original Motion Picture Soundtrack)||10||Audio||1974||MCA Records|
|10||Across 110th Street (Original MGM Motion Picture Soundtrack)||19||Audio||1997||Rykodisc|
|11||Jay & Kai + 6: The Jay And Kai Trombone Octet||12||Audio||1956||Columbia|
|12||Sonny Stitt / Bud Powell / J.J. Johnson||17||Audio||1990-04-13|
|13||Across 110th Street||11||Audio||1972||United Artists Records|
|14||At The Opera House||6||Audio||1957||Verve Records|
|16||Willie Dynamite (Music From The Original Motion Picture Soundtrack)||10||Audio||MCA Records|
|18||The Eminent Jay Jay Johnson, Volume 1||9||Audio||1989||Blue Note|
|19||The Eminent Jay Jay Johnson, Volume 2||15||Audio||1989||Blue Note|
|20||Cleopatra Jones (Original Soundtrack)||12||Audio||2001|
|21||Across 110th Street||11||Audio||United Artists Records|
|22||Jay & Kai + 6 - The Jay And Kai Trombone Octet||8||Audio||1956||Philips|
|23||Things Are Getting Better All The Time||8||Audio||1984||Pablo Records|
|24||Across 110th Street||11||Audio||1997-12-20||Jimco Records|
|25||Things Are Getting Better All The Time||8||Audio||1984||Pablo Records|
|26||Trombone By Three||12||Audio||1984|
|27||The Eminent Jay Jay Johnson Volume 2||10||Audio||1955||Blue Note|
|29||At The Opera House||14||Audio||VSP|
|30||Jazz Spectacular||10||Audio||1975||Columbia Special Products|
|31||Trombone And Voices||10||Audio||1960||Columbia|
|32||The Eminent Jay Jay Johnson, Volume Two||15||Audio||2001-07-24||Blue Note|
|33||Four Trombones Volume 2||4||Audio||America Records|
|36||Proof Positive||6||Audio||1964||His Master's Voice|
|37||Música Para 4 Solistas Y Orquesta No 1||6||Audio||1975|
|38||Pilares Del Jazz Moderno||8||Audio||Opus Jazz|
|41||K + J.J.||10||Audio|
|45||Cleopatra Jones (Original Motion Picture Soundtrack)||70||Audio||2010-04-00||Film Score Monthly|
|46||Four Trombones . . . The Debut Recordings||8||Audio||1981||Prestige|
|47||The Trombone Album||17||Audio||1980||Savoy Records|
|48||At Newport||7||Audio||1999-04-01||SME Records|
|49||The Great Kai & J.J., Swinging Together Again||11||Audio||1980|
|50||Trombone For Two||10||Audio||1955||Columbia|
American jazz trombonist.
Born : January 22, 1924 in Indianapolis, Indiana.
Died : February 04, 2001 in Indianapolis, Indiana.
1941-42: toured with the territory bands of Clarence Love and Snookum Russell.
1942-45: Benny Carter's big band. Made his recording debut (taking a solo on "Love for Sale" in 1943) and played at the first JATP concert (1944).
1945-6: Count Basie's Orchestra.
1946-60: various work with all of the top bop musicians, including Charlie Parker (with whom he recorded in 1947), the Dizzy Gillespie big band, Illinois Jacquet (1947-49) and the Miles Davis 'Birth of the Cool' Nonet. His own recordings from the era included work with Bud Powell and a young Sonny Rollins. He also recorded with the Metronome All-Stars.
1951-2: played with Oscar Pettiford and Miles Davis.
1954-6: formed a two-trombone quintet with Kai Winding that became known as Jay and Kai - various reunions would later happen.
1956-60: led a quintet that often included Bobby Jaspar; began to focus more on his own compositions, starting with 1956's "Poem for Brass" and including "El Camino Real" and a feature for Dizzy Gillespie, "Perceptions"; his "Lament" became a standard.
1961-2: worked again with Miles Davis, and led some small groups of his own.
60s: greater part of time spent writing television and film scores.
By the 70s, Johnson was so famous in the jazz world that he kept on winning Down Beat polls despite the fact that he was not really actively touring or playing. However, starting with a Japanese tour in 1977, J.J. gradually returned to a busy performance schedule; during the 80s he would go on to lead a quintet that often featured Ralph Moore.