Henry Glover

Henry Bernard Glover

Also known as グローバー, B. Glover, Bern, Clover, D. Glover, E. Grover, G. Glover, Gloven, Glover, Glover Henry, Glower, Glvoer, H Clover, H Glover, H. B. Glover, H. Clover, H. Glover, H. Glower, H. Golver, H.Clover, H.Glover, Harry Glover, Henery Glover, Henri Clover, Henri Glover, Henry B. Glover, Henry Clover, Henry/Glover, II. Glover, J. Glover, R. Glover, Raney Glover, Turner
This performer (group) in the Internet: http://en.wikipedia.org/wiki/Henry_Glover

Discography of Henry Glover:

# Release title Total tracks Type of release is Imprint date Label

Born 21 May 1921, Hot Springs, Arkansas, USA

Died 07 April 1991, St. Albans, New York, USA

American songwriter, arranger, producer, trumpet player, and A&R man.

[b]Glover[/b]'s career began as a young trumpet player through high school and college before he joined [a=Buddy Johnson]'s big band in early 1944 on [l=Decca]. It was with [a=Lucky Millinder]'s orchestra, as both a musician and arranger in early 1945, that [b]Glover[/b] met [url=http://www.discogs.com/label/King+Records+(3)]King Records[/url] founder [a=Syd Nathan], who hired him as an A&R man. The label became an early pioneer in the cultural and racial integration of American music, from blues and R&B to rockabilly, bluegrass, western swing, and country.

[b]Glover[/b] co-wrote "Blues Stay Away from Me" with [url=http://www.discogs.com/artist/Delmore+Brothers,+The]The Delmore Brothers[/url], covered by [a=Bob Dylan], and became one of the first black producers of country music with his input on "The Hucklebuck" by [l=Rama]'s [url=http://www.discogs.com/artist/Paul+Williams+(9)]Paul Williams[/url]. A 1948 [b]Glover[/b] instrumental became the theme tune "Moondog", used by DJ [a=Alan Freed]. At King [b]Glover[/b] had a run of recordings on its independent Queen Records label before it merged with King at 1540 Brewster Avenue, where [b]Glover[/b] then began a series of successful blues fusion/R&B signings and recordings, later moving on to create Jay & Cee Music publishing and to control King's New York operations.

It was in New York that [b]Glover[/b] departed King to join [a=Morris Levy]'s [l=Roulette Records] label in 1958, helping revive the [l=Gee] label and introduce R&B to Roulette with the likes of [a=Sarah Vaughan] and [a=Ronnie Hawkins]. He helped [url=http://www.discogs.com/artist/Hawks,+The+(2)]The Hawks[/url] produce singles as a new Canadian group, which evolved into [url=http://www.discogs.com/artist/Band,+The]The Band[/url]. In 1961 [b]Glover[/b] had a co-writing hit with "Peppermint Twist" and for a period in the early 1960s [b]Glover[/b] managed his own label, '[b]Glover[/b]', recording [a=Louisiana Red] and [a=Titus Turner] among others. Back with King, after Nathan's death in 1968, [b]Glover[/b] ran the company- now much reliant on [a=James Brown]'s work- until its takeover by [l=Starday Records].

[b]Glover[/b] then founded RCO Productions with [a=Levon Helm] in 1975, whilst also producing the Grammy-winning [a=Muddy Waters] Woodstock album and helping arrange [url=http://www.discogs.com/Band-The-Last-Waltz/master/14495]The Last Waltz[/url]. Before his death in 1991 [b]Glover[/b] was inducted into the Alabama Jazz Hall of Fame and the Rock and Roll Hall of Fame. He died of a heart attack, survived by his wife Doris, son Ware and daughter Syracuse.

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