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At the age of 15, Charles Alexander Glenn, Jr. began carving out his part of Nashville music folklore. While still in high school, he played music at every opportunity as the bassist for a cover band called [a=Endeavors, The]. When school was finished, the band decided to challenge the music scene in Los Angeles and try to get signed by a major recording company. Discouraged after two years with no recording deal, the members of the Endeavors went back to their roots in Nashville.
Now that Charles had experienced the Los Angeles music scene, he felt sure that he had discovered the "recipe" that would work to land a recording contract. He wasted no time in bringing together all of his Nashville music friends. When the instrumental and vocal blend was absolutely perfect, they all 'knew'. This band could climb the mountain to stardom in LA. They would be called [a=Ozone (5)]. The new band was recognized by music icon [a=Billy Preston] who snatched them up to be his personal band. After touring over two years with Preston, they were signed to a recording contract by [l=Motown] Records where they created and released five Ozone albums and became the "house band" for several acts on the Motown roster. Ozone recorded and toured with [a=Teena Marie], [a=Debarge], [a=Sammy Davis, Jr.] and [a=Luther Vandross] among others. Being everybody's "house band" at Motown had its advantages, but it didn't focus on advancing Ozone's public recognition and definitely hindered the group from becoming a household name. Ozone had created the sound and magic for everybody else, while their careers were put on "back burner" status by the marketing machine at Motown. Without the company giving them radio and tour support, Ozone disbanded.
Charles moved to Europe and immediately went to work touring and recording exclusively as the bassist for Billy Preston. Charles was also offered a position in [a=Little Richard]'s band and over two decades later, plays every show, recording date and television appearance with Little Richard. In between tours, Charles worked in his LA area studio, arranging and producing music for clients like Disney Records, for which he worked on "For Our Children", including artists [a=Paul McCartney], [a=Elton John] and [a=Paula Abdul]. Charles arranged, played the instruments and produced the hit single "Itsy Bitsy Spider" on that album for his long-time mentor, Little Richard.
These days, Charles is up to another project altogether: The first in a series of Charles Glenn albums was released in late August 2007 (The Bass King). This music is a "compilation of a lifetime of experiences and styles". A second album has been scheduled to be released early in 2008 to coincide with tours with an all-star band. Charles has never lost his passion for live performance.