D.L. Savings T.X

John Olson

Also known as D. L. Savings TX, The, D.L. Savings, D.L. Savings T.X., D.L. Savings T.X., The, D.L. Savings Time, D.L.Savings T.X., Daylight Savings Time, Daylights Savings T.X., Daylights Savings Tx., DL Savings T.X, DL Savings TX, DL-Savings TX

Discography of D.L. Savings T.X:

# Release title Total tracks Type of release is Imprint date Label
1 Hoem A.K. 9 Audio 1997 American Tapes
2 Thank You Urine Doll 2 Audio 1997 American Tapes
3 Brown Sound Super Skin 2 Audio 1996 American Tapes
4 No Indian Gaming/Composition #31/30 2 Audio 1996 American Tapes
5 Recycled 2 Audio 1996 RRRecords
6 Ku Da Kay (Sic) In My Basement Court 3 Audio 1997-12-26 Labyrinth
7 '95 Flashblack Attack 4 Audio 2008-07-00 American Tapes
8 Race Enamel III 2 Audio 1996 Kinky Musik Institute
9 Transparent Music From Long Lived Peoples 2 Audio 1997 American Tapes
10 We Regret To Inform You...... 4 Audio 1996 American Tapes
11 Untitled 2 Audio Not On Label
12 Split 4 Audio 1998 Fiend Recordings
13 Laymen Agenda 2 Audio 1996 American Tapes
14 Bruit 8 Audio 1997 Psychoelectronic Sounds Recordings
15 Plays The Music Of Erich Zaan 4 Audio 1997 American Tapes
16 Midwife 3 Audio 1997 American Tapes
17 Split 3 Audio Agitate 96

In the fall of 1994 on the eve of daylight savings time, John Olson lurked in a basement and put the first water-logged sounds on tape - which became The D.L Savings T.X.. Books of artwork accompanied the debut releases centered around minium wage drones and opera turntable stutter action.

After releasing a handfull of cassettes, The D.L Savings T.X. expanded it's non-macho arsenal to include hand made instruments. Ordinary acoustic & electrical non-musical objects were hideously miswired and improperly charged to weeze beyond the edge of extinction.

In the summer of 1998, the name was changed to The GI & The Spykes.

The focus of this project is to layer and compse sound - giving birth to a multi-faceted style of intertwined dump: cleaking, and jittering with a glowing underwater soul. This vision blossoms to fruition through a up-sized combo of tape collage, broken recording equipment, and Egyptian sour analogue fidelity.

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