|#||Release title||Total tracks||Type of release is||Imprint date||Label|
|1||The Typewriter||2||Audio||1982||MCA Records|
|2||Werner Müller Plays Leroy Anderson||12||Audio||1964||Decca|
|4||Orchestral Music - 1: Piano Concerto / The Golden Years / Fiddle-Faddle||18||Audio||2006-04-00||Naxos|
|5||Leroy Anderson Conducts Leroy Anderson||13||Audio||MCA Records|
|6||'Pops' Concert Part 1||4||Audio||Brunswick|
|7||The Syncopated Clock/The Waltzing Cat||2||Audio||Decca|
|8||Famous Composers||21||Audio||1997||PPI Entertainment|
|9||Leroy Anderson Conducts His Music||13||Audio|
|10||The Girl In Satin / The Typewriter||2||Audio||1953||Decca|
|11||Anderson-Classical Juke Box-Kabalevsky-The Comedians, Op. 26||11||Audio||RCA Victor Red Seal|
|12||Back To Africa||2||Audio||1976||Pot O' Gold Records|
|13||Leroy Anderson Conducts Leroy Anderson||16||Audio||1982||MCA Records|
|14||The Music Of Leroy Anderson Vol. 1||13||Audio||1958|
|15||Gute Unterhaltung mit Leroy Anderson und seinem Orchester||14||Audio||Polydor|
|16||Belle Of The Ball / Blue Tango||2||Audio||Brunswick|
|17||Sleigh Ride||2||Audio||RCA Victor|
|18||Werner Müller Plays Leroy Anderson||12||Audio||World Record Club|
|19||Leroy Anderson Conducts Leroy Anderson||13||Audio||1959-10-00||Decca|
|20||The Music Of Leroy Anderson Vol. 1||14||Audio||1958|
|21||Blue Tango - The Original Hit Recordings Of Leroy Anderson||20||Audio||1992||MCA Records|
|22||The Music Of Leroy Anderson Vol. 1||13||Audio||1958||Mercury|
|23||Anderson-Classical Juke Box-Kabalevsky-The Comedians, Op. 26||11||Audio|
|24||Leroy Anderson Conducts His Music||13||Audio||1959||Decca|
|25||Song Of The Bells||2||Audio||1954||Decca|
|26||Domaine Forget, Opus 1||7||Audio||1984||Not On Label|
|27||Leroy Anderson Conducts Leroy Anderson||13||Audio||1959-10-00||Decca|
|28||Belle Of The Ball / Blue Tango||4||Audio||Decca|
|29||The New Music Of Leroy Anderson||12||Audio||1962||Brunswick|
American composer of short, light concert pieces (June 29, 1908, Cambridge, MA – May 18, 1975, Woodbury, CT).
Anderson was born to Swedish immigrants in Massachusetts, where he studied piano at the New England Conservatory of Music and, in 1925, he entered Harvard University. At Harvard he studied theory with Walter Spalding, counterpoint with Edward Ballantine, harmony with [a838226], composition with [a775293] and Doublebass with Gaston Dufresne. He also studied organ with Henry Gideon.
Anderson continued his graduate studies at Harvard, and became the Director of the Harvard University Band. He wrote a number of catchy arrangements that eventually caught the ear of [a406271]. He made his first arrangement for Fiedler in 1936, and in 1938, [a406285] performed his piece, Jazz Pizzicato . At Fielder's request, Anderson wrote the companion, Jazz Legato, in 1939.
In 1942 Leroy Anderson joined the U.S. Army. During his time in the armed forces, he wrote The Synocpated Clock and Promenade . In 1951, he was recalled for active duty for Korean War, and wrote his first hit Blue Tango. Throughout the 1950s and 1960s, Anderson wrote many more of his "miniature" pieces, most of which were first performed and recorded by [a107094]. His pieces, including Sleigh Ride, The Typewriter, Bugler's Holiday, and A Trumpeter's Lullaby are still performed by orchestras and bands ranging from school groups to professional organizations.
For his contribution to the recording industry, Leroy Anderson has a star on the Hollywood Walk of Fame at 1620 Vine Street. He was posthumously inducted into the Songwriters Hall of Fame in 1988. In 1995 the Harvard University Band's new headquarters was named the Anderson Band Center in honor of Leroy Anderson.